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Haacke, Shapolsky et al. Manhattan Real Estate Holdings, 1971 |
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Haacke, Solomon R. Guggenheim Museum Board of Trustees, 1974 |
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Haacke, Manet-Projekt, 1974 |
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Daniel Buren, Untitled, 1966, acrylic on canvas |
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Buren, Mosset, Parmentier, Toron, Manifestation no.3, 1967 |
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Buren, Facsismiles of Manet-Projekt'74 pasted over Buren's work, 1974 |
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Buren, Peinture-Sculpture (Painting sculpture), 1971 |
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Asher, Claire Copley Gallery, Axonometric drawing, 1974 |
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Asher, Claire Copley Gallery, view through the gallery toward office & storage, 1974 |
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Asher, Claire Copley Gallery, view through the gallery toward entry/exit & street, 1974 |
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Asher, Trailers in various locations in Munster, West Germany, 1977 |
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Asher, Installation view of George Washington by Houdon at the Art Institute of Chicago, 1979 |
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Asher, From January 26 to April 12, 2008, Installation of conceptual history of Santa Monica museum of Art exhibitions, 2008 |
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Carlos Miereles, Insertions into Ideological Circuits: Coca-Cola Project, 1970 |
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Carlos Miereles, Insertions into Ideological Circuits: Bank Note Project, 1970, rubber stamps on bank notes |
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Carlos Miereles, Insertions into Ideological Circuits: Bank Note Project, 1970, rubber stamps on bank notes |
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Miereles, Volatile, 1980-1994 |
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Miereles, Mission/Mission (How to Build Cathedrals), 1987 |
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Fred Wlson, Metalwork, 1793-1880 |
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Wlison, The Spiral of Art History, 1993 |
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Wilson, Viewing the invisible, 1998 |
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Wilson, Black Murano Glass Chandalier, Venice Biennale, 1993 |
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Lorna Simpson, The Waterbearer, 1986, silver gelatin print with vinyl lettering |
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Robert Gober, Newspaper (The serious Bride), 1992 |
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Glenn Ligon, Untitled (I Feel Most Colored…), 1990, oil on wood |
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Carrie Mae Weems, Untitled (Man Reading Newspaper), 1990, three silver gelatin prints from the Kitchen Table series |
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Kara Walker, Jockey, 1995, cut paper on adhesive wall |
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Kara Walker, Danse de la Nubienne Nouveaux, 1998, cut paper on adhesive wall |
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