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| refers to art that is meant to be viewed from any angle |
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A small (3-dimensional) model used for planning a 3-dimensional design
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The volume and shape of a 3-dimensional work (positive), perhaps including unfilled areas that are integral to the work as a whole (negative). Having height, width and depth.
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| Occupied space- referring to the height, width and depth of the 3D form |
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Has no physical existence- enclosed or defined by positive forms (a void).
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| A measurable area of defined or occupied space. |
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| ! In 3-dimensional space, planes divide and define volume and space to create |
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Refers to the size of the work (in relationship to its surroundings).
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| Refers to size relationships in a composition |
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- 3-dimensional forms that rise from and/or recede into 2-dimensional surfaces.
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The tactile surface characteristics of a work of art that are either felt or perceived visually.
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- Referring to art that simplifies or distorts qualities of a real-life image.
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works do not depict recognizable forms or objects
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Visual accuracy in artistic representation of objects from our 3-dimensional world.
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the subject matter of a work of art, plus its emotional, intellectual, symbolic, spiritual and/or narrative implications, as opposed to its physical form.
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refers to the energized spatial area in and around a three-dimensional form.
The 3-dimensional field with which the artist works, including both filled and unfilled (positive and negative) areas.
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the area physically occupied by form.
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| the unfilled area that is activated by the 3-D work (the space around the work). |
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| is a body of solid matter. |
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the perceived lightness or heaviness of a work or portion of a work
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| a sense of equilibrium of visual weight within a design. |
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| the use of opposing, contrasting, changing, elaborating or diversifying elements in a composition to add individualism and interest. |
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a design principal that refers to a visual state of agreement or sense of belonging among all of the parts of a work of art or design.
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| are forms that contain no implied movement. |
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| are forms that contain an illusion of movement. |
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| - is the design principal that refers to the visual flow or movement created by repetition |
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| a flowing, connected, musical type of rhythm |
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| The path of a moving point made by a material as it moves across space. |
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flowing, motion
One curved line=beauty, elegance
Many curved lines= whimsy or chaos
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| defiance, escape, uplifting |
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| forms that physically move |
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is the forming process that requires the removal of material, such as carving.
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| Removing the nonessential elements from a design to achieve the intended effect of the work. |
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