Term
|
Definition
-Modernist Movment
-Initially in poetry and painting
-Originating in Germany
-Inner feelings are expressed more then outter (Express meaning or Emotional experience rather then physical reality)
|
|
|
Term
|
Definition
-Artistic and Social movemant
-Originated in Italy
-Anarcist movement
|
|
|
Term
|
Definition
-Drawing inspiration from the "classical" art and culture of Ancient Greece or Ancient Rome
-Rejection of the "Romantic Ideal": Irraltionality, Excess emotion, Yearning, Nationalism, Individualism
|
|
|
Term
|
Definition
-Deceloped by Schoenberg
-Technique of ensuring that all 12 notes of the chromatic scale are sounded.
-12-tone Row was used to help
|
|
|
Term
|
Definition
-School of thought
-Group of composers
-Arnold Schoenberg and his pupils
- |
|
|
Term
|
Definition
-Musical Technique involves splitting a musical line or melody between several instruments
-Not just in one instrument or group thus adding color and texture to the melodic line |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
-Art movement that originated with a group of Paris-based artists
-Traditional lines and boundaries are obscured
-Deliberate avoidance of traditional abstract formes(e.g. Sonata, Rondo, etc.)
Use of exotic scales and effects to creat dream like imagery. |
|
|
Term
|
Definition
-Syncopated
-Dance music in the red-light district in African American communities in the South.
-Mainly writen for the piano
|
|
|
Term
|
Definition
-exoticism is a genre in which the rhythms, melodies, or instrumentation are designed to evoke the atmosphere of far-off lands or ancient times
-Influenced by some ethnich groups or civilizations
-Draw inspiration from a forein culture (appropriation)
|
|
|
Term
|
Definition
-Borrows forms from non-Western or prehistoric peoples
-Draw inspiration from one's native cultural heritage |
|
|
Term
|
Definition
-Six-note series
-Can be exhibited in a scale or tone row |
|
|
Term
|
Definition
-German speak-singing
-Operatic Recitative manner of singing |
|
|
Term
|
Definition
|
|
Term
|
Definition
-Use of symbols to represent ideas or qualities
-Reaction against the Romantic Ideal
-Dreamlike Ethos
-Revolution against "rules" - Blank Verse
-Impression of a thing rather then the thing itself
-Mallanme: "sing of the nothing" Truth in it.
-Suggest felling not said out right
-Senses= poetry and music are the same thing
-Belief in synaethesia |
|
|
Term
|
Definition
|
|
Term
|
Definition
-Systems of esoteric philosophy concerning, or inverstigation seeking direct knowledge of, presumed mysteries of being and nature, particularly concerning the nature of divinity.
|
|
|
Term
|
Definition
-Term used to characterize music which is thought by critics to be ahead of its time. |
|
|
Term
|
Definition
|
|
Term
|
Definition
-A six-note synthetic chord and its associated scale or pitch collection
-this chord serves as the loose harmonic and melodic bass.
-Used by Alexander Scriabin |
|
|
Term
|
Definition
-Use of more than one key simultaneously
-Bitonality is the use of only two different key at the same time
-Polyvalence is the use of more then one harmonic function |
|
|
Term
|
Definition
|
|
Term
|
Definition
-Symbolist and Impressionist
-Symbolist poetry inspired many works
-Art songs set to these poems
-Symbolist tenets in music: Dreamlike Ethose, Broke the "rules" of musical grammer and syntax, Programmatic nature of music implies the "Impression" of the Thing-almost"Sing of the nothing"
|
|
|
Term
|
Definition
-Musical Catch
-A short riff, passage, or phrase
|
|
|
Term
|
Definition
-Pierod after the 19th century |
|
|
Term
|
Definition
-A neurological phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involutary experiences in a second sensory or cognitive pathway
-Alexander Scriabin suffered from it. |
|
|
Term
|
Definition
-Collection of New York City music publishers and songwriters.
-In summer could hear the piano's being played.
-Used song pluggers |
|
|
Term
|
Definition
-Inclusive term referring to musical compositions in which the tonality of the commonpractice period replaced by one or several nontraditional tonal concepteions, such as tonal assertion or contrpuntal motion around a central chord. |
|
|
Term
|
Definition
-Accompanying voice
[image] |
|
|
Term
|
Definition
-Coined by the German author Jean Paul Richter and denotes the kind of feeling expreienced by someone who understands that physical reality can never satisfy the demands of the mind. |
|
|
Term
|
Definition
-Vocalist or piano player employed by department and music stores and song publishers in the early 20th century to promote and help sell new sheet music, which is how hits were advertised. |
|
|
Term
|
Definition
-Founder of the Ballets Russes
-Impresario
- |
|
|
Term
|
Definition
-American avant-garde composer, pianist, author and inventor whose modernist musical compositions explored the modern sounds.
-Composed for movies and ecentually films. |
|
|
Term
|
Definition
|
|
Term
|
Definition
-Austrian-Viennese
-Self-Taught in composition: Ardent Student, Learnd by studying Scores
-Mentored by Zemlinsky and Mahler
-Important composer, Theorist and teacher
-Two important style periods: Before 1907-Late Romantic influenced by Brahms, Wagner and Strauss
-1907-1921: Free Chromaticism ("atonal") Most important works between 1907 and 1913, 1913-1921 Period of experimentation and formulation.
-1921-1949: 12 tone: Developed system or row
-With Expressionism
|
|
|
Term
|
Definition
-A Major Expressionist icon
-"Moondrunk"- Made temporarily insane by the moon.
-Does not get the girl and bad things seem to follow |
|
|
Term
|
Definition
-Father of Expressionism and abstract art
-Wrote Concerning the Spiritual in Art
-Published Der Blaue Reiter- the Expressionist Almanac
-Expressionism Trates: Reality is what's inside, not in the appearance
-Eroticism and neurosis to the point of sickness
-People are helpless victims of their own inner urges |
|
|
Term
|
Definition
-New German School's "heir apprent"
-Tone poems immediantely in standared repertoire
-Saw himself as both Beethoven's and Wagner's "true Successor"
-Obsessed with his own biography
-Considered the more original by Schoenberg
-Salome |
|
|
Term
|
Definition
-One of the most important Composers of his time
-Sudied with Rimsky-Korsakov
-Reinvented what he said about his music every 10 years
-Best loved workd from his "Russian Period"
-Prinitive style: Ostinato Figures, Juxtaposed blocks interrupt on another, But "Continue" in the background, Polychords, Experimental Orchestral effects, "Dry" orchestral articulations, Emotional objectivity |
|
|
Term
|
Definition
-First composer to identify himself as an Impressionist
-Harmonic notions inspired Debussy and Revel: especially unrsolved 7th and 9th chords
-Eccentric: did everything with satire and wit.
-Intentionally on the "Simple" side
-Experimental with musical elements (barlines, form, keys, Etc.)
-Inspired by populat music, as well as modern art.
|
|
|
Term
|
Definition
-Futurist most philosophically importsnt to music
-1913: published the Futurists' Musical Manifesto: The Art of Noises
-"music intoners": the first music-making machines (early synthesizers)
-Music included elements of chance |
|
|