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Symphony No.9 (1824)
Last movement
Exerpt #1(orch)=It's like a little "drama" with contrabasses repeatedly interrupt with a "recitative."
Exerpt #2(voice)=First human voice heard in a symphony for the first time in history. |
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"Symphonie Fantastique" (1830)
Timbre: Romantic orchestra
Eb clarinet depicts witches' dance. Hints of Dies Irae
Story of young man watching a witches' dance in hell. |
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Prelude to Tristan and Isolde (1859)
Movement: Prelude Epitome of Romanticism and has extreme chromaticism, almost atonal. Made up of leit motifs. |
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"St. Anthony of Padua's Sermon to the Fishes"
(1892)
-Folk like poetry -Humorous with satire -Female voice singing lightly like a joke
-Orchestra paints picture of water |
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Symphony #2 (1895)
Movement: #3 -No singer, which is why it hints it is Symphony #2
-Similar to "St.Anthony" but without the voice part and "morphs" into something grotesque halfway through. |
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"Three Places in New England" (1903) Movement: The Housatonic at Stockbridge
-Music is layered
-impressionistic blur
-dissonaces
-bell sounds |
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"Gymnopedie No.1" (1887)
-A piano "character piece." -Opposite of Germanic music. |
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Jeux (Games) (1912) -Orchestral Ballet score
____(needs more info here) |
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"Introduction and Allegro" (1905) -Chamber music -In this piece, Ravel combines the timbres of instruments and his experimentation with new and exotic scales. -Harp and strings bring in a stationary blur. |
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"The White Peacock" (1884-1920) -Orchestral tone poem Lush string orchestration helps create an atmospheric sound with some sounds of dissonance. |
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"Flute Song" (1963) -"Cool" Jazz -Influenced by Impressionists. -Exotic scale patterns
-Overlapping and irregular rhythm structures.
-Interesting instruments featured in this piece are alto flute and saxaphones with slight electric sound. |
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"The Voice of the Wood Dove" (1901)
-Serialism
-Uses extreme chromatic harmonic language of the late 19th century. Female opera voice. |
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