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Couture, Romans of the Decadence. 1847 -reconciliation of classicism/romanticism -image of the excesses of the nouveau rich of July Mon. |
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Daumier, The Heavy Burden. Circa 1850-53. -little boy suggests poverty is inescapable |
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Daumier, Third Class Carriage. 1862 realism genre |
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Courbet, The Stone Breakers. 1849-50 -poverty self-perpetuating/inescapable -very little sky=very little hope |
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Gustave Courbet, A Burial at Ornans, 1849-50 -genre -realism -massive size-elevated to status of history |
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Courbet, Bathers, 1853 realism genre not idealized female body, considered inappropriate |
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Amaury-Duval, Birth of Venus, 1862 idealism genre exemplifies 19th c. aesthetized nude |
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Courbet, The Meeting, 1854 -courbet's shadow= courbet is the future -role of patron in producing art |
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Courbet, The Painter’s Atelier, 1854-5 -genre -realism -courbets whole world -martyred avant-garde status |
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Millet, The Sower. 1850 genre realism -peasant as heroic figure |
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Millet, The Gleaners. 1857 genre realism the beauty and nobility of back-breaking poverty |
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Millais, Christ in the Carpenter’s Shop, 1849-50 -symbolic realism -pre raphaelite brotherhood draw on early rennaissance |
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Hunt, Light of the World, 1851-53 symbolic realism represents personal relationship with christ |
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Hunt, Awakening Conscience, 1853-54 prostitute realizing the error of her ways symbolic realism |
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Marville, An Intersection in Old Paris, c.1865-69 represents new role of photography as documenting tool |
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Marville, Rue de Rivoli. Crica 1870-71 haussmanization prevent opportunity for revolutions (move troops fast thru streets) |
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Garnier, The Opera, Paris, France, 1862-75 the great social generator |
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Rosa Bonheur, Plowing in the Nivernais, 1849 genre positivism |
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Rosa Bonheur, The Horse Fair, 1853 want show woman can paint masculine subject |
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Courbet, Entrance to the Puits Noir Valley, 1865 -landscape popular so that's what he does |
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Ingres, Venus Anadyomene, begun 1808; reworked 1848 idealist modernization of the classical line |
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Cabanel, The Birth of Venus, 1863 -everyone loved it at salon of venuses |
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Gerome, Moorish Bath, 1872 invented neo-grec style, exoticized/eroticized the East |
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Gerome, Slave Market, 1866 |
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