Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-01.jpg |
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Definition
| Dry cascade and pools, upper garden, Saihoji temple, Kyoto, Japan, modified in Muromachi period, 14th century. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-02.jpg |
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Definition
| TOYO SESSHU, broken-ink landscape, Japan, Muromachi period, 1495. Hanging scroll, ink on paper, 4’ 10 1/4” x 1’ 7/8”. Tokyo National Museum, Tokyo. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-03.jpg |
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Definition
| KANO MOTONOBU, Zen Patriarch Xiangyen Zhixian Sweeping with a Broom, Japan, Muromachi period, ca. 1513. Hanging scroll, ink and color on paper, 5’ 7 3/8” x 2’ 10 3/4”. Tokyo National Museum, Tokyo |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-04.jpg |
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Definition
| KANO EITOKU, Chinese Lions, Japan, Momoyama period, late 16th century. Six-panel screen, color, ink, and gold-leaf on paper, 7’ 4” x 14’ 10”. Imperial Household Agency, Tokyo. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-05.jpg |
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Definition
| HASEGAWA TOHAKU, Pine Forest, Japan, Momoyama period, late sixteenth century. One of a pair of six-panel screens, ink on paper, 5’ 1 3/8” x 11’ 4”. Tokyo National Museum, Tokyo. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-06.jpg |
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Definition
| HASEGAWA TOHAKU, Pine Forest, Japan, Momoyama period, late sixteenth century. One of a pair of six-panel screens, ink on paper, 5’ 1 3/8” x 11’ 4”. Tokyo National Museum, Tokyo. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-07.jpg |
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Definition
| HASEGAWA TOHAKU, Pine Forest, Japan, Momoyama period, late sixteenth century. One of a pair of six-panel screens, ink on paper, 5’ 1 3/8” x 11’ 4”. Tokyo National Museum, Tokyo. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-08.jpg |
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Definition
| HASEGAWA TOHAKU, Pine Forest, Japan, Momoyama period, late sixteenth century. One of a pair of six-panel screens, ink on paper, 5’ 1 3/8” x 11’ 4”. Tokyo National Museum, Tokyo. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-09.jpg |
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Definition
| HONAMI KOETSU, Boat Bridge, writing box, Japan, Edo period, early seventeenth century. Lacquered wood with sprinkled gold and inlay, 9 1/2” x 4 5/8”. Tokyo National Museum, Tokyo. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-10.jpg |
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Definition
| HONAMI KOETSU, Boat Bridge, writing box, Japan, Edo period, early seventeenth century. Lacquered wood with sprinkled gold and inlay, 9 1/2” x 4 5/8”. Tokyo National Museum, Tokyo. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-11.jpg |
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Definition
| SUZUKI HARUNOBU, Evening Bell at the Clock, from Eight Views of the Parlor series, Japan, Edo period, ca. 1765. Woodblock print, 11 1/4” x 8 1/2”. Art Institute of Chicago, Chicago (Clarence Buckingham Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-12.jpg |
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Definition
| KATSUSHIKA HOKUSAI, The Great Wave off Kanagawa, from Thirty-Six Views of Mount Fuji series, Japan, Edo period, ca. 1826–1833. Woodblock print oban, ink and colors on paper, 9 7/8” x 1’ 2 3/4”. Museum of Fine Arts, Boston (Spaulding Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-13.jpg |
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Definition
| KATSUSHIKA HOKUSAI, The Great Wave off Kanagawa, from Thirty-Six Views of Mount Fuji series, Japan, Edo period, ca. 1826–1833. Woodblock print oban, ink and colors on paper, 9 7/8” x 1’ 2 3/4”. Museum of Fine Arts, Boston (Spaulding Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-14.jpg |
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Definition
| KATSUSHIKA HOKUSAI, The Great Wave off Kanagawa, from Thirty-Six Views of Mount Fuji series, Japan, Edo period, ca. 1826–1833. Woodblock print oban, ink and colors on paper, 9 7/8” x 1’ 2 3/4”. Museum of Fine Arts, Boston (Spaulding Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-15.jpg |
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Definition
| TANGE KENZO, national indoor Olympic stadiums, Tokyo, Japan, Showa period, 1961–1964. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-16.jpg |
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Definition
| TANGE KENZO, national indoor Olympic stadiums, Tokyo, Japan, Showa period, 1961–1964. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch27/27-17.jpg |
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Definition
| TSUCHIYA KIMIO, Symptom, 1987. Branches, 13' 1 1/2" x 14' 9 1/8" x 3' 11 1/4". Installation view, Jeune Sculpture '87, Paris 1987. |
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