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Who said:
"Guys like us, that work on ranches, are the loneliest guys in the world."
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Who said:
"But not us! An' why? Because... I got you to look after me, and you got me to look after you, and that's why."
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Who said this quote:
"She had full, rouged lips and wide-spaced eyes, heavily made up. Her fingernails were red. Her hair hung in little rolled clusters, like sausages. She wore a cotton house dress and red mules, on the in-steps of which were bouquets of red ostrich feathers."
Who was he/she describing: ?
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| Narrator; describes Curley's wife |
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Who is being described with this quote:
"...He moved with a magesty only acheived by royalty and master craftsman. He was a jerkline skinner, the prince of the ranch..."
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Who said:
"A guy needs somebody-be near him... A guy goes nuts if he ain't got nobody. Don't make no difference who the guy is, long as he's with you... I tell ya a guy gets too lonely an' he gets sick."
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Who said:
"The meanness...and the discontent and the ache for attention had all gone from her face. She was very pretty and simple, and her face was sweet and young."
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Who said:
"Now what the hell do ya suppose is eatin' them two guys?"
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| How did Lennie accidentally kill his pup? |
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| It tried to bite him, so Lennie hit the pup. |
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| What was Curley's wife's "American Dream?" |
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| She wanted to become a famous actress and thought she had a chance at success. |
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| When is the climax in Of Mice and Men? |
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| It occurs the moment when Curley's wife invites Lennie to touch her soft hair. |
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| After Lennie's death, who seems to be the only one who understands George's loss? |
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| What is "an imitation of a serious action which will arouse pity and fear in the viewer?" |
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| Who is "a character, usually high of birth, neither totally good nor totally evil, whose downfall is brought about by some weakness or error in judgement?" |
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| A tragic flaw, weakness of character or error in judgement, which causes the downfall of the hero. |
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| A type of Hamartia; arrogance or overweening pride which causes the hero's transgression against the gods, usually, the tragic flaw. |
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| Recognition or discovery on the part of the hero; change from ignorance to knowledge. |
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| Fate that cannot be escaped. |
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| Purgation of emotions of pity and fear which leaves the viewer both relieved and elated. |
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Who said:
"And now you can prove what you are: a true sister or a traitor to your family."
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Who said:
"Creon is not strong enough to stand in my way."
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Who said:
"Oh it is hard to give in! But it is worse to risk everything for stubborn pride... It is hard to deny the heart! But I will do it; I will not fight with destiny."
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Who said:
"Your temper terrifies them- everyone will tell you only what you want to hear. But I, at any rate, can listen; and I have heard them muttereing and whispering in the dark about this girl. They say no woman has ever, so unreasonably, died so shameful a death for a generous act."
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